Cinderella, an opera for children from Panguipulli


The classic story of Cinderella is now taking a new direction, far more local. Located in the southern part of Chile, built from two Chilean compositions and with a libretto by actor and director Felipe Castro, Cinderella, magic and legend presents two visions of the world that are confronted with stories of a grandmother and a Mapuche girl. Opera and dance performances starring 126 children and adolescents, which will be presented from tomorrow to Sunday, at the Municipal Theater of Las Condes.

This montage consists of two parts, the first of which is played by the work of La Cenicienta, written in 1948 by Chilean composer Pedro Humberto Allende. Meanwhile, the second part was mainly composed for work, by René Silva. The latter, titled La Malen, is based on the myth of La niña de la calavera, which tells the story of a little girl whose head turned into a skull after being bewitched by her stepmother.

Through a different artistic program, the Adelanto Amigos de Panguipulli Corporation, located in the Los Ríos Region, has a symphony orchestra, choir and ballet, which come together to revive this opera. They joined two choirs, one from the SIP School Network, and six young people from Leonardo Da Vinci School from Las Condes. Overall they made three camps where they prepared services.

The text of Felipe Castro brings together the two compositions through a dialogue between a Papai (grandmother at Mapudungun) and the girl. "In the end, what we want to show is understanding is a meeting twice, what is the generation of children now and the older generation," explained Pamela Calsow, director of Adelantado Amigos de Panguipulli Corporation.

The music direction is in the hands of Rodolfo Fischer, the resident director in Switzerland who has become a challenge for the team, because he has never worked with children. "Here is one of their teachers. If something doesn't come out, you have to propose a solution, teach them to achieve something they don't know how to do," he said about how he adopted the work.

This event not only stands out for the work that directors have done with children, but also because in preparation, the entire community has worked. According to Calsow, "it was very intense, but very useful. In addition, the costumes presented in the work were made by moms and dads. We conducted workshops where they were taught to make these costumes, and I think it produced impressive unity in the commune, more from 400 people helped develop this event, "he said.


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