Just a few months ago, Old Globe San Diego carried out the "The Tempest" outdoor production as the opening of its annual Shakespeare Festival.
Now, the Balboa Park theater has a hand in the "Tempest" that is much different, even bigger that will explode into the city.
Not our city, though – Los Angeles.
On Thursday, L.A. The Philharmonic opens a three-day journey from the great work of the fantasy-filled Bard in the Disney Concert Hall, as staged by Barry Edelstein, Erna Finci Viterbi Globe's artistic director.
Production was carried out by Susanna Mälkki, principal guest conductor of L.A. Phil.
Why does the symphony orchestra do Shakespearean drama? Because among the artistic responses to "The Tempest" for centuries has been Jean Sibelius's extensive incidental music for drama, which was written by a Finnish composer in 1925.
While the thicker two-suite version of the music is often performed by orchestras for years, LA Phil will return to the original Sibelius work that is rarely done – and carry out the full production of "The Tempest" along with me.
The opportunity for a partnership with Globe is an ongoing celebration at the 100th season orchestra, which has gathered a lot of collaboration.
And it does this in a magnificent style. Cast includes two Tony Award nominees: Beth Malone (who plays the Ariel sprite), best known for his turn on Broadway's Fun Home, and Tom McGowan (Caliban), nominated for "La Bête."
Israeli stage and screen actor Lior Ashkenazi takes on the lead role of expelled sorcerer Prospero, the role played by Kate Burton in the Globe (under the name of the gender-shifted character Prospera). Audrey Corsa plays the young daughter of Prospero, Miranda.
The players also included Grantham Coleman (Ferdinand), who took a leading role in "Hamlet" at the Globe in 2016; and San Diego-based actor, Mark Pinter (Gonzalo), who has many memories around the city.
They joined actor-screenwriter Michael Genet as Alonso; screen and stage actor Ruy Iskandar as Sebastian; mezzo-soprano Elizabeth DeShong, who shared Ariel's role with Malone; Broadway veteran Peter MacNicol (also from TV fame "Ally McBeal"), who shared Stephano's role with baritone Jarett Ott; Baritone Timothy Mix, who shared the role of Caliban with McGowan; and film and TV star Cornell Womack as Antonio.
As Edelstein explained last month when production was carried out in training, Globe's partnership with L.A. Phil appeared after the orchestral executive director saw the performance of "Hamlet" 2016 starring Coleman here.
"Then I got a call saying,‘ Hi, this is our 100th anniversary, and we are doing all these crazy projects. One of the things we did is this Shakespeare series, and the next thing we will do is Temp The Tempest. ’Do you want to do it? ''
He will: Edelstein then spends a year preparing to direct the pieces.
It is important to note that this is not a symphonic performance with a little marked Shakespeare.
"We are doing full production of" The Tempest "- the whole game," said Edelstein, a nationally famous director and Shakespearean scholar.
"The difference is usually when I do Shakespeare's production with live music, it's a composer I'm commissioning, and that's probably two or three musicians.
"Here, this score is already there from 1925 – and 120 musicians !," he said with a laugh. (To be more specific: There are 80 musicians in the orchestra plus a choir of 40, along with actors and opera singers in casts.)
"So it's a little different in scale. Not to mention it was done in a concert hall rather than a theater. But in a funny way of training, I feel very like (normal) practice – doing Shakespeare games, which I know how.
"Wild cards are collaborations with conductors and orchestras. And so far, this is a very extraordinary educational experience for me. "
When: 8pm Thursday Thursday Friday; 2 o'clock Saturday afternoon.
Where: Disney Concert Hall, 111 S. Grand Ave., Los Angeles
Ticket: About $ 25- $ 209
Telephone: (323) 850-2000
On line: laphil.com