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Chair for Orchestra – Paris Theater review site «Arc, direction, choreography and design Ushio Amagatsu, sled Juku Co., Théâtre des Champs-Elysées / City Theater correspondence



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Game, Reviews //
Doug, staging, choreography and design Ushio Amagatsu, sled Juku Co., Théâtre des Champs-Elysées / City Theater in absentia

April 30, 2019 |
no comments Arc, direction, choreography and design Ushio Amagatsu, sled Juku Co., Théâtre des Champs-Elysées / City Theater in absentia

© Sanka Juku -DR

ƒ article Denis Sanglard

There is a misunderstanding in our perception of the company's sleigh Juku. As an exercise of admiration owe this company and considered representative of butoh dance. The tree that hides the forest. Of course, this establishment, like all the others so far, from the & # 39 is a great beauty and hieratic. By boredom. Not as bright as the first, kumquat seed in 1978, which we have proved them Unetsu in 1986, which he confirmed his special universe. There is something to wear, mechanical repetition. Of course, everything is perfect, everything is controlled there. But it sounds hollow. Bout nothing remains, some rags, empty cereal sense to wear a missing body. It is mistakenly believed to dance and always how after Hiroshima, which nonetheless puts it to the & # 39; appearance from its roots between German expressionism and French surrealism, theater of cruelty of Artaud and subversive wife, deep and implacably organic, internal, chaotic, it is " dance of darkness ", is here carefully sanded surface, smooth surface irregularities. Something aesthetic, what is wrong and what to give up rubble, and now empty its original meaning. The movement body is released from its substance, its flesh was exposed quivering. Hoarseness rubble, stripped of his trail, his grotesque cruelty, pale body metamorphosis nothing remains, some loans have become clichés grins as vague fingerprints and no longer make sense and become restrained aesthetics, devoid of its content or the deep unconscious. On the one dance that is not here as a pale shadow of himself. The silent cries no other echo than empty. Arms extended to the sky, did not say anything. On a slow responds only slowly. None of this tragic and absolute presence in the world, is not tied to the land, which is supplied with energy and concentration. Bout time and again, as the two founders, Tatsumi Hizhikata and Kazuo Ohno. The whole Bout dancers say each carrier in terms of his personality and worldview. But related in one leap the same quest, the same smoking and vital issue, which is responsible Ushio Amagatsu his way. But that is still rubble? What makes a rave here in apnea room should not be deceived. This rubble Western countries. Ersatz sun far, in their eyes, a cheap exoticism Japanese Butoh to the fact that it is, without doubt, is the aesthetic débarbouillée it regulates the flow of the original mud, and they do not know anything. The tree that hides the forest … There are other companies, other dancers are trying to survive, sometimes there are ephemeral holidays, always carry a hard and uncompromising dance, with the exception of subsidized schemes. He takes him to look for curiosity, to discover that Butoh has not lost its subversive and that is not diluted by assigning another universe, it is constantly being revived and even nourish the contemporary dance (we believe that Boris Charmatz). onions beautiful dance on the & # 39; an object, it is true. Simply beautiful on the & # 39; object. Nha demons Ushio Amagatsu in sincerity and truth, his real talent and his contribution in the field of modern dance. But more than butoh aesthetics, must be greater than the landscape. It is a way of being in the world. Nha nearby.

© Sanka Juku -DR

onions, Staging, choreography and design Ushio Amagatsu

set design Planting and ditches Natsuyuki with Nakanishi

Music Takashi Coco, Yas-Kaz, Yoichiro Oshikav

Assistant production Semimaru

Headlights Genta Iwamura Satoru Suzuki

His Aikira Ike

With Semimaru Sho Takeuchi, Akihito Ichihara, Dai Matsuoka Norihito Ishii Shunsuke Momoki, Taiki Iwamoto, Makoto Takashi

From April 29 to May 4 at 20h

The length of the show 1:15 NO intermission

Theater des Champs Elysees

15 Avenue Montaigne

75008 Paris

booking 01 42 74 22 77

www.theatredelaville; ball

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